![]() ![]() Have you already have your conventional hall/plate/spring reverb sorted? If so, that's great news. Where you take your sound is really limited by your imagination and what you need musically. Used sparingly, and it'll give your reverb a gentle chorus effect, while at more extreme settings you can send it through the floor with a supernova of detuning. Rate and Depth controls are on-hand for dialling in some modulation. You can take treble beyond brightness into something more artificial and metallic. It affords you excellent control over the light and shade in the reverb. There's a Feedback knob for adding repeats to your reverb trails, with infinite repeats an option, whereupon your reverb is held in suspended animation while more and more sounds build on top of it.Įlsewhere, there are a pair of Lo and Hi filters which behave as you might expect, trimming some low-end mud off the bottom or boosting/cutting high-end sparkle. You can also dial in up to two seconds of pre-delay. The nocturnal sibling to the BigSky, this takes the multi-verb format into similarly astral realms as the Blackhole, offering a smorgasbord of interstellar tones. This kind of quality doesn't come cheap, but reverbs don't get much better than this – a superlative stompbox in every way. For a one-stop reverb that'll take you from the sublime to the ridiculous, to infinity and beyond, this is unbeatable. The EXP socket allows for external tap tempo for the pre-delay or preset recall via a triple footswitch.This contains the Blackhole and a lot more besides. A press-and-hold on Freeze puts the pedal in Preset mode where it can scroll through the five presets hitting the Active switch will load the selected one.įurther foot control is available by plugging in an expression pedal, which can have any combination of parameters mapped to it for a complete morphing of the soundscape. The footswitches can also call up presets. The latching Freeze footswitch will get the last bit of reverbed playing sustaining on while you play over it, albeit with the pedal’s dry sound, which might be too much of a contrast in ambience for some tastes. Primarily the bypass, the Active switch can be latching or momentary for short blasts of effect. Use in performance has been amply catered for with the two footswitches, each having multiple functions. ![]() ![]() While the hands-on knob tweaking is great here, the EDM software makes it even easier with every parameter laid out in front of you, as well as instant access to Eventide’s 28 carefully programmed factory presets, which really explore the unit’s capabilities. There’s a world of esoteric soundscapes waiting to be dialled in with ethereal evolving pads built from reverb, delay and modulation nestling behind your playing. In fact, its forte is long lingering clouds of uniquely textured ambience. This pedal is more about creating otherworldly spaces. There are some conventional reverbs to be coaxed out of the pedal – and yet the Blackhole is not about halls, rooms and so on. With all of those parameter choices, there’s a staggering range of unusual ambiences available here. producing a mild chorus or a more extreme detuning effect. It’s also possible to add modulation via the Rate and Depth knobs. The Decay character of the reverb tail can be adjusted by the Gravity knob, gradually increasing the duration and density of a conventional fading envelope to its right, and offering the same for a reverse decay to its left for a trippier vibe.īesides these, you can add up to two seconds of pre-delay before the main body of the reverb kicks in, and there’s a Feedback knob, adding repeats to extend the effected sound further up to an Infinite mode where you can continuously layer new sounds on top of a suspended reverb.Ī pair of Lo and Hi filters takes care of conventional tonal tasks such as reducing low-end murkiness or taming/enhancing the high-end, and there’s variable resonance for these so you can turn a simple treble boost into an edgy metallic sheen, for example. ![]()
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